HistriX - Massimo Montevecchi, Demons illustrazioni Cesare Reggiani
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Massimo Mon­tevec­chi & HistriX

Demons

30,00 €

HistriX - Massimo Mon­tevec­chi

Demons


A full color 56 pages album with paint­ings, pho­tos, texts and lyr­ics in Eng­lish.

 

14 full color double page il­lus­tra­tions.

 

Size: 21 x 21 cm.

 

A 14 tracks mu­sical CD.

 

Hard cover bind with a full col­our prin­ted cover.

Total size: 23x23 cm.

 

Texts and lyr­ics in Eng­lish.

 

Edi­tion: 300 numbered cop­ies.

 

“Demons” is the second album by HistriX based on po­etic texts.

Massimo Mon­tevec­chi, poet, writer and trans­lator wrote these lyr­ics in Eng­lish.

 

The long shar­ing friend­ship between the artists has been the basis of this work.

 

A two years long work, with dis­cus­sion, re­flec­tions, thoughts.

 

At the same time Cesare Reg­giani real­ized the four­teen art­works il­lus­trat­ing the lyr­ics.

 

Demons

01-I drank with you

02-The in­tol­er­able

03-My friend

04-Mo­star

05-Liv­ing

06-What are they doing here

07-Many

08-Sen­tinels

09-Naples

10-What use is to­mor­row

11-Star

12-Im­ages and words

13-Let the atomic light turns off

14-I know (what I am)

(...) My book is a book of poems trans­lated into music, poems and music fo­cused on the sense of loneli­ness and help­less­ness in front of the va­cuum, the use­less, the re­dund­ant, but also on the won­der that life is still able to give us, even if the poignant gui­tar of Liv­ing in­stills in our veins the thrill of that but­ter­fly burn­ing near the lamp. And it is also a book of lyr­ics and music on the many emo­tions that life im­poses on us, help­less­ness, dis­be­lief, yearn­ing, but also of hatred and de­struct­ive im­pulses. Whole denial and pess­im­ism, then? Not at all, the gui­tar open­ings, the voice warm tones, rhythmic, never plaint­ive and some­times in­deed al­most proph­etic, tell us of the demons that ac­com­pany life and with whom you have to live (in the desert you have to get into it). Hov­ewer, the gui­tar that 

ex­plodes sud­denly and tries to grab the secret heart of the text , the one that es­capes ra­tional and crit­ical ana­lysis, res­on­ates, it is ap­pro­pri­ate to say, of the Ni­et­z­sche’s yes to life.(...)

 

Massimo Mon­tevec­chi